![]() ![]() For instance, when you flip its screen around to face you, the camera automatically goes into 'Self Shot' mode, enabling face/eye detection, audio tracking, and a three-second recording start timer to make vlogging easier. To that end, the camera is very easy to use, with simple and intuitive controls. ![]() It's much more portable and affordable than the Panasonic LUMIX GH5 II, which is probably overkill for many content creators who want a simple setup to get started. If all the talk of codecs and chroma sampling went over your head, but you're still interested in shooting videos or vlogs, fear not! The Panasonic LUMIX G100 is a great little vlogging camera that's more accessible to newcomers. Though it's since been superseded by the Panasonic LUMIX GH6, the GH5 II is still a great option for most video shooters, especially considering its lower price. This is a video and filmmaking powerhouse if it wasn't clear. It comes with V-Log and internal 10-bit 4:2:2 recording at up to 30 fps (or 60 fps with 4:2:0 sampling), plus a dizzying array of recording formats and codecs. On top of 1080p and UHD 4k, it can also record DCI 4k and anamorphic 6k to get a wider, more cinematic aspect ratio. Video quality is great, but its internal video recording capability and resolution options are where the camera shines. Many MFT lenses are also available, making the camera versatile for various video styles. On the flip side, the smaller sensor means more room in the body to implement best-in-class IBIS and the ability to use smaller lenses with longer equivalent focal lengths. Unlike the Panasonic LUMIX DC-S5, the GH5 II uses a Micro Four Thirds sensor, so there's a trade-off in low light capability. Panasonic's GH series has long been a favorite among videographers and YouTubers, and the LUMIX GH5 II is one of the best cameras in the company's lineup for video work. Ultimately, it's a highly capable camera for a wide range of photo and video work-but sports and wildlife shooters are better off looking elsewhere. Unlike its successor, this model also uses a slower contrast-detection autofocus system that's great for still or slow-moving subjects but doesn't perform nearly as well when shooting something quick or erratic like a bird. Well, for one, the camera has a slow max burst rate of 6 fps, which isn't terrible but falls far short of the standard set by competing cameras. "What's the catch?" you might be thinking, especially at this price point. It even records 10-bit 4:2:2 video internally, and though it's heavily cropped, the camera can also record 4k at 60 fps. Dual SD card slots, in-body image stabilization (IBIS), and all the inputs you need for video peripherals make this a great videography camera. The S5 is well-built and feels good in the hand, with a high-resolution touchscreen and decent viewfinder. Aimed at enthusiasts, this is the best Panasonic LUMIX camera we've tested, though it's since been replaced by the Panasonic LUMIX DC-S5 II, which adds a quicker phase-detection autofocus system. While Panasonic is a relative newcomer to the full-frame market, they knocked it out of the park with the Panasonic LUMIX DC-S5. ![]()
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